Socialist Mayor Zohran Mamdani’s recent decision to display an 18th-century Qur’an at the New York Public Library marks a significant cultural move. This Qur’an, previously belonging to the influential Black scholar Arturo Schomburg, highlights Mamdani’s commitment to representation and inclusion in his new role as the city’s first Muslim mayor.
In his announcement, Mamdani emphasized the Qur’an’s connection to Schomburg, stating, “When I swore in at midnight at the old City Hall subway station last week, I had the honor of doing so on Arturo Schomburg’s 18th-century Qur’an.” By placing this manuscript on public display, Mamdani links his administration to a broader narrative of activism and intellectual heritage. Schomburg not only contributed to preserving Black history but also played a pivotal role in the pursuit of liberation for oppressed peoples, including through his co-founding of the anti-colonialist group Las Dos Antillas.
Mamdani’s initiative reflects a conscious effort to present a more diverse and inclusive New York. He is effectively using the historical importance of Schomburg’s Qur’an to signify a new chapter in the city’s governance. The display includes phrases like “The People’s Qur’an,” a clear indication of Mamdani’s aim to foster a sense of community ownership around the city’s cultural and historical artifacts.
The New York Public Library, where the Qur’an will be housed, has underscored the significance of this particular manuscript. Library President Anthony Marx noted its role in fostering civics that resonate with both historical and contemporary implications. He stated, “This specific Qur’an, which Arturo Schomburg preserved for the knowledge and enjoyment of all New Yorkers, symbolizes a greater story of inclusion, representation, and civic-mindedness.”
Diverse voices have contributed to the discussion surrounding the Qur’an’s display. Hiba Abid, the Library’s Curator for Middle Eastern and Islamic Studies, added depth to this narrative by remarking on the Qur’an’s craftsmanship and accessibility. She noted, “Its importance lies not in luxury, but in accessibility, and we hope it inspires more New Yorkers to explore the rich diversity of our Middle Eastern and Islamic collections.”
Through these efforts, Mamdani is honoring Schomburg’s legacy while encouraging the exploration of underrepresented narratives within the Islamic community in New York. This initiative stands as a testament to the importance of historical context in shaping current civic identities. The display is poised to spark conversations about culture, history, and inclusion, serving as a significant educational tool for all New Yorkers.
Overall, Mamdani is weaving a cultural tapestry that connects the past with the present, underscoring his vision for a city that embraces its diverse roots while moving forward into a new era of governance.
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